By Alfonsina Scarinzi
The undertaking of naturalizing human consciousness/experience has made nice technical strides (e.g., in mapping components of mind activity), yet has been hampered in lots of instances through its uncritical reliance on a dualistic “Cartesian” paradigm (though as the various authors within the assortment indicate, assumptions drawn from Plato and from Kant additionally play a role). the current quantity proposes a model of naturalism in aesthetics drawn from American pragmatism (above all from Dewey, but in addition from James and Peirce)—one primed from the beginning to determine people not just as embodied, yet as inseparable from the surroundings they have interaction with—and presents a discussion board for authors from various disciplines to handle particular clinical and philosophical matters in the anti-dualistic framework contemplating aesthetic event as a means of embodied meaning-making. Cross-disciplinary contributions come from best researchers together with Mark Johnson, Jim Garrison, Daniel D. Hutto, John T. Haworth, Luca F. Ticini, Beatriz Calvo-Merino.
The quantity covers pragmatist aesthetics, neuroaesthetics, enactive cognitive technological know-how, literary reviews, psychology of aesthetics, artwork and layout, sociology.
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1 technology and man
2 technological know-how and phenomenology
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PART I GEOGRAPHY and standard METAPHYSICS
Geographical discourse and its imperative themes
6 easy ideas of technology and the strategy applicable to ontology
7 Objectivism and subjectivism
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PART II GEOGRAPHY AND PHENOMENOLOGY
The interpretation of phenomenology in geography
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14a Phenomenology and useful research
15 ways to geographical phenomenology
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22 The flip to Schiitz's constitutive phenomenology and justifying a go back to Husserl
PART III PHENOMENOLOGY AND THE query OF HUMAN SCIENCE
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23 what's phenomenology?
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24 the necessity for phenomenology
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24b The critique of the optimistic sciences
24c The constitution of the realm and 'objects' of science
24d Phenomenology and the guiding notion of science
Phenomenology, technology and phenomenological geography
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25a Sciences of truth and sciences of essence
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26 Phenomenology, technological know-how and lifeworld
26a The lifeworld ontology
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Extra resources for Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy
The view I am presenting was first put forth 80 years ago by John Dewey in Art as Experience , where he says, “I have tried to show in these chapters that the esthetic is no intruder in experience from without, whether by way of idle luxury or transcendent ideality, but that it is the clarified and intensified development of traits that belong to every normally complete experience” (, 52–53). In art, we encounter the qualitative elements and processes of human meaning-making in ways that show us fuller possibilities for significance and growth.
29. Tolstoy, Leo. 1896. What is Art? Trans. Almyer Maude. New York: MacMillan Publishing Company, 1960. 30. Zbikowski, Lawrence. 2002. Conceptualizing music: Cognitive structure, theory, and analysis. Oxford: Oxford University Press. Chapter 3 Dewey’s Aesthetics of Body-Mind Functioning Jim Garrison Abstract My chapter provides a genetic trace of the embodied actions (the “deeds” or pragma) of the live creatures we call Homo sapiens from the primacy of the aesthetic encounter with the precognitive qualitative situation that initiates inquiry, to the role of embodied feelings involved in selective attention that determine data for inference, to the cognitive role of embodied habits in establishing logical universals and carrying out thoughtful deliberation in artistically creating the consummatory aesthetic forms of techno-scientific inquiry.
J. Boydston. Carbondale: Southern Illinois University Press, 1988. 11. Dewey, John. 1934. Art as experience. In The later works, 1925–1953, vol. 10, ed. J. Boydston. Carbondale: Southern Illinois University Press, 1987. 12. Dickie, George. 1974. Art and the aesthetic: An institutional analysis. Ithaca: Cornell University Press. 13. Feldman, Jerome. 2006. From molecule to metaphor: A neural theory of language. Cambridge, MA: MIT Press. 14. Gadamer, Hans Georg. 1975. Truth and Method. Trans. G. Barden and J.
Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy by Alfonsina Scarinzi