ISBN-10: 0813563518

ISBN-13: 9780813563510

How does a movie come to seem how it does? And what impact does the glance of a movie have on our response to it? The function of cinematography, as either a technology and an artwork, is frequently forgotten within the chatter approximately appearing, directing, and budgets. The winning cinematographer should have a willing artistic eye, in addition to professional wisdom in regards to the consistently increasing array of latest digicam, movie, and lights applied sciences. with no those talents at a director’s disposal, so much video clips fast fade from reminiscence. Cinematography specializes in the highlights of this paintings and gives the 1st accomplished evaluate of the way the sphere has speedily advanced, from the early silent movie period to the electronic imagery of today.

The essays during this quantity introduce us to the visible conventions of the Hollywood type, explaining how those first arose and the way they've got to that end been challenged by means of replacement aesthetics. for you to body this interesting historical past, the individuals hire a chain of questions on know-how (how did new expertise form cinematography?), authorship (can a cinematographer increase types and topics over the process a career?), and classicism (how should still cinematographers use new know-how in gentle of previous practice?). Taking us from the hand-cranked cameras of the silent period to the electronic units used at the present time, the gathering of unique essays explores how the artwork of cinematography has been prompted not just through technological advances, but in addition via developments within the motion picture undefined, from the increase of big-budget blockbusters to the unfold of indie films.

The publication additionally finds the folks at the back of the digital camera, profiling various acclaimed cinematographers from James Wong Howe to Roger Deakins. Lavishly illustrated with over 50 indelible photographs from landmark movies, Cinematography deals a provocative behind-the-scenes examine the occupation and a stirring party of the paintings shape. an individual who reads this heritage will come away with a clean eye for what seems at the reveal as a result of what occurs in the back of it.

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Additional info for Cinematography (Behind the Silver Screen, Volume 3)

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Then they rewound the film, matted off the bottom half, and exposed the top half. The result is a striking contrast in scale, showing the unfortunate dreamer tormented by three miniature devils. This mixture of scales evokes the playful transformations of the film’s ostensible source, a series of phantasmagorical comics by Winsor McKay. Although Dream of a Rarebit Fiend is a narrative film, using visual style to reveal a character’s interior mental state, the story is ultimately an excuse for a series of spectacular effects, and the camerawork functions as an attraction to be enjoyed for its own sake.

78 In this film, the soft, subtle lighting on the figures can be remarkably similar to the diffuse daylight style of the early silent years. Here, Almendros is rejecting the more polished style of classical Hollywood in favor of an abandoned but still rewarding alternative. 79 Most generally, we can see the silent period as formative for the history of cinematography as a whole because tensions among the competing ideals of narrative integration, industrialization, and aestheticization remain relevant even today.

7 is from Frances Marion’s The Love Light (1921), co-photographed by Rosher and Henry Cronjager. Mary Pickford is lit with a key light to the right of the camera, but the fill light just to the left of the camera is of almost equal brightness, resulting in relatively flat modeling on Pickford’s face, drawing attention to her eyes and mouth. Meanwhile, two backlights brighten Pickford’s famous blonde hair, which registered darker than normal on the orthochromatic film. Perhaps the most remarkable detail is the way the key and fill lights produce little points of light in Pickford’s eyes, amplifying her welling tears.

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Cinematography (Behind the Silver Screen, Volume 3)

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