By Kembrew McLeod
Freedom of Expression® covers the ways that highbrow estate legislation were used to denationalise all kinds of expression—from guitar riffs and Donald Trump’s “you’re fired” gesture to human genes and public space—and within the technique stifle artistic expression. Kembrew McLeod demanding situations the blind embody of privatization because it clashes opposed to our correct to unfastened speech and shared resources.
Kembrew McLeod is professor of verbal exchange stories on the collage of Iowa, writer of possessing tradition: Authorship, possession, and highbrow estate legislations, and coproducer of the documentary Copyright Criminals: it is a Sampling Sport.
Lawrence Lessig is professor of legislations at Stanford legislation School.
This book’s documentary better half should be to be had via Media schooling Foundation.
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Additional info for Freedom of Expression: Resistance and Repression in the Age of Intellectual Property
Com ﬂap remarkable wasn’t merely that the copyright bullying ended. More interesting was the discovery by EFF senior intellectual property attorney Fred von Lohmann that, according to his research, “This Land Is Your Land” has been in the public domain since 1973! He writes: Fact#1: Guthrie wrote the song in 1940. At that time, the term of copyright was twenty-eight years, renewable once for an additional twenty-eight years. Under the relevant law, the copyright term for a song begins when the song is published as sheet mu- 28 FREEDOM OF EXPRESSION ® sic.
The way patent law is applied in genetics can limit researchers’ choices, which means the scientiﬁc imagination becomes routinized and stiﬂed. There’s little room for the kinds of visionary ideas and accidental discoveries that evolve into real breakthroughs. 28 But because of our blind faith in privatization, freedom of expression® has been limited artistically, socially, and scientiﬁcally. SEEDS = INFORMATION I live in Iowa, and I am surrounded by corn, pork, pickup trucks, and, from what I hear, meth labs.
Some took the warning very seriously, including a Girl Scout Council director who advised future counselors at a training session to limit their repertoire exclusively to Girl Scout songs. The Houston Chronicle reported that “several cash-strapped camps stopped singing the songs” altogether. ASCAP CEO John LoFrumento defended his organization’s hardball tactics: “They buy paper, twine and glue for their crafts— they can pay for the music, too. ”8 This climate of fear resulted in the following surreal scenario reported by the Minneapolis Star Tribune, which sounds like an episode of Sesame Street directed by David Lynch.
Freedom of Expression: Resistance and Repression in the Age of Intellectual Property by Kembrew McLeod