By Steven E. Browne

ISBN-10: 0240808398

ISBN-13: 9780240808390

* Real-world postproduction paths convey how it is being performed this day
* a number of HD tables solve what structure is used for which goal
* plentiful info on HDV
* Debunks myths and solutions universal questions about HD

Avoid high priced missteps in postproduction and get it correct the 1st time with this booklet. Written through an in-the-trenches specialist who works with HD on a daily basis, excessive Definition Postproduction is an outline of this intriguing chance for movie and video construction and postproduction execs. excessive Definition creation and modifying is right here and certainly a truth. High-def community exhibits are aired on a weekly foundation. numerous HD-only channels are good into their construction schedules. HD is even used for significant movie productions and publish construction approaches. even if, in contrast to the present 4x3, NTSC layout, the HD international has many variables. This skill to settle on a number of body charges, body sizes, bit premiums, and colour area recommendations makes this an exhilarating, but slightly daunting problem. the long run may well carry much more suggestions as electronics proceed to adapt and manufactures proceed to use this structure. clearly, all of those ideas may end up in confusion and mistakes.

This booklet starts with an summary of the HD structure after which covers commonly-asked questions. A bankruptcy on capturing info easy methods to soft the trail for put up. Postproduction workflows, together with the electronic intermediate, are lined in nice aspect, and are more advantageous through real-world examples.

From HDV to the high-end cameras utilized in celebrity Wars and Sin urban, this publication is the entire consultant to HD.

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Extra info for High Definition Postproduction. Editing and Delivering HD Video

Example text

98 1080p24 This is an example of how some frame rates can be converted simply by playing a tape in a specific machine. However, not all frame rates even have conversions. These are devices that are specifically made to convert one frame rate to others. ● ● Feature film production has adjusted to the process of using high definition video as a production tool. Some of the movement away from film to HD as a production media is occurring because many high budget science fiction movies use computers to create the set, background, and surrounding environments in which actors perform.

94 fields per second. Whether shooting for one of the major broadcast networks or making a film for festival submission, there are frame rates and sizes that can fit one's needs, depending on the type of look that is desired. 98 or a true 24 frames per second is the preferred choice of frame rate. (If this is one's goal, it is a good idea to contact your digital intermediate [DI] facility first and find out what they are capable of in terms of frame rate. ) Many presentation projects are being shot on HDV because this format is inexpensive, looks great, and can be edited in prosumer editing systems.

By dropping two numbers at every minute except the 10-minute marks (10, 20, 30, 40, 50, and 00), the error was corrected. There are no frames dropped, only numbers. Frame Rate Frame rate refers to the number of images stored or displayed per second. The frame rates currently being used have decimals because analog NTSC broadcasting is still in effect and most HD broadcasts are simultaneously aired in NTSC. These fractional frame rates are specifically designed to be compatible with standard definition NTSC.

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High Definition Postproduction. Editing and Delivering HD Video by Steven E. Browne

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