By Anna-Teresa Tymieniecka
Having verified within the ontopoiesis/phenomenology of lifestyles the artistic functionality of the person because the fulcrum of our beingness-in-becoming, allow us to now flip to enquire the artistic emblems.
In this assortment, the momentum of a meeting "creative brainstorm" ends up in the vertiginous innovative transformability of the inventive trademarks because it ciphers throughout the aesthetic experience, the weather of expertise – sensing, feeling, feelings, forming – in artworks, therefore lifting human event into spirit and tradition.
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The vintage belief of human transcendental cognizance assumes its self-supporting existential prestige in the horizon of life-world, nature and earth. but this assumed absoluteness doesn't entail the character of its powers, neither their constitutive strength. This latter demand an existential resource attaining past the generative life-world community.
1 technological know-how and man
2 technological know-how and phenomenology
3 The plan of this work
4 'Geographical phenomenology'
5 The disciplinary context
PART I GEOGRAPHY and standard METAPHYSICS
Geographical discourse and its relevant themes
6 uncomplicated strategies of technology and the tactic acceptable to ontology
7 Objectivism and subjectivism
8 Positivism and naturalism
8a The a-historical nature of positivism
8b The Enlightenment and positivism
8c Naturalism and idealism
9 Kantian ontology of fabric nature
10 Conceptions of actual house and geography
10a The emergence of geography as an summary, theoretical science
10b Social physics
11 actual house, cognitive behaviouralism and the flip to subjectivity
12 The mode of being attribute of geographical objects
PART II GEOGRAPHY AND PHENOMENOLOGY
The interpretation of phenomenology in geography
13 The phenomenological foundation of geography
14 Geographical phenomenology
14a Phenomenology and functional research
15 methods to geographical phenomenology
15a the mandatory contrast among humanism and geography
16 The view of science
16a Phenomenology as criticism
16b Phenomenology as anti-science
16c The foundational position of phenomenology
16d Phenomena of lived experience
17 The flip to the lifeworld, and the paradox of floor and object
18 The phenomenological method
Geographical phenomenology: a critique of its foundations
19 The metaphysics of geographical phenomenology
20 Humanism and the confusion of the 'objective' and the 'subjective'
20a Subjectivity and intentionality
20c The 'things themselves', 'consciousness' and 'the challenge of the target world'
21 Geographical phenomenology: its inner critique
21a Phenomenology and standards of validity
22 The flip to Schiitz's constitutive phenomenology and justifying a go back to Husserl
PART III PHENOMENOLOGY AND THE query OF HUMAN SCIENCE
Husserlian phenomenology: the foundational project
23 what's phenomenology?
23a Phenomenology: its origins and foundations
23b The normal attitude
23c Empirical technology and natural science
23d unique intuition
23c Phenomena and intentionality
24 the necessity for phenomenology
24a The trouble of distance among technological know-how and life
24b The critique of the confident sciences
24c The constitution of the realm and 'objects' of science
24d Phenomenology and the guiding notion of science
Phenomenology, technological know-how and phenomenological geography
25 Descriptive phenomenology and science
25a Sciences of truth and sciences of essence
25b Descriptive phenomenology
26 Phenomenology, technology and lifeworld
26a The lifeworld ontology
26b The sciences and the lifeworld
26c The technology of the lifeworld
26d Lifeworld and transcendental phenomenology
Towards a primary ontology of science
27 Phenomenology and a primary ontology of science
28 technology and objectivation in geography
28a How does theoretical discovery arise?
28b the typical global and the theoretical attitude
29 the improvement of technological know-how and the concept that of 'progress'
30 Human technological know-how and objectification
31 Rigour and exactitude in science
32 conception and its succeed in and carry over nature and world
33 technology and the lived world
PART IV HUMAN technological know-how, WORLDHOOD, AND SPATIALITY
Implications for the human sciences and a human technological know-how of geography
35 Phenomenology and the technological know-how of geography
36 in the direction of a proper projective human science
37 Husserl and human science
38 in the direction of a proper and a priori 'mathesis of spiritand of humanity'
39 The existential analytic and the human sciences
40 The existential analytic and the 'natural perception of the world' (or lifeworld)
Towards an figuring out of human spatiality
41 Geography, global and space
42 global and worldhood
43a The technological view of space
43b The spatiality of the present-at-hand
44 the standard mode of being-in-the-world
45 The spatiality of the ready-to-hand: locations and regions
46 area and science
47 Man's spatiality
48 house and man's spatiality
49 position and house: implications for a local ontology of spatiality for a geographical human technology
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Extra resources for Logos of Phenomenology and Phenomenology of the Logos. Book Five: The Creative Logos. Aesthetic Ciphering in Fine Arts, Literature and Aesthetics
14 She nevertheless goes on to note that the body can also be an obstacle to communication. ‘‘We are faced with ... an imperfection or an illness. The organs ... send a message that indicates an impossibility, a deﬁciency or an alteration ... a possible limitation of the spiritual activity ... ’’15 These observations are absolutely pertinent in ordinary communication. In artistic representation, on the other hand, spiritual activity even shines through a body adulterated up to the point of death.
De Morra is wrapped in a mantle edged with gold. 13 Let us now ask ourselves what is the role of the body in the aesthetics of the portrait. Elsewhere I spoke of ‘corpus loquens’, a model that can be conserved with some further speciﬁcation. 14 She nevertheless goes on to note that the body can also be an obstacle to communication. ‘‘We are faced with ... an imperfection or an illness. The organs ... send a message that indicates an impossibility, a deﬁciency or an alteration ... a possible limitation of the spiritual activity ...
Todos estos te´rminos, puras meta´foras, reﬁeren el germen fe´rtil de la novedad creadora, la ﬁliacio´n de la mente, como se advierte asimismo de forma clara en el Banquete.
Logos of Phenomenology and Phenomenology of the Logos. Book Five: The Creative Logos. Aesthetic Ciphering in Fine Arts, Literature and Aesthetics by Anna-Teresa Tymieniecka